Diagonal angle of view of 78 degrees to 27 degrees. A metal mount is durable and better than plastic mount. What this does for the filmmaker is give them more light to work with, especially in low light situations. Zoom system is made up of 5-group helical zoom. Image Stabiliser makes the lens shift for compensating the camera movement to make a steady appearance of the image plane for ensuring clear and crisp images, even in dim light. With kit lenses that might give you at best an f/3.5, you'll either need to find a way to get more light, or most likely you'll have to kick up the ISO, introducing more grain in the frame, which can be unattractive if it doesn't serve an aesthetic purpose. The lens comes with a rear and front lens caps, removable hood, lens pouch and an instruction manual. Stepping motor and a refined focus mechanism for smooth and continuous autofocus is provided for video recording and it is the best lens for DSLR filmmaking. These are the ten best lenses for DSLR filmmaking currently available in the market. There is an optical image stabilizer that helps to click great pictures. Stepping motor for noise-free video shooting. In particular, the E-mount lineup introduced in 2010 features optics, construction, and control optimized for moviemaking as well as still photography. Filmmaking has never been easier with our HD and 4K 35mm filmmaking equipment. YouTubing and video marketing are increasingly becoming one of the best mediums to connect with your audience. Canon EF-S 10-18 mm f/4.5-5.6 IS STM Lens, 5. de-clicked aperture is featured to reduce noise and jerking motions. It all started when I fell in love with my camera, which was presented to me when I was ten as a birthday gift. It features an outstanding quality of pictures. Although not normally a problem for stills, optical issues such as focus breathing, focus shift, and axial shift when zooming can make moving images unattractive or even unusable. Better image quality is gained, even in poor lighting conditions it is the best lens for DSLR filmmaking. You have to remember that most DSLRs shoot in 30 fps, maybe 24 fps, so you can't (or rather shouldn't) use an shutter speed slower than 1/60 of a second or 1/50 of a second respectively. Excellent quality glass, with smooth focus and aperture rings. For avoiding any kind of confusion, I have compiled a list of ten of the best lens for DSLR filmmaking available in the market currently. Apart of my blogs new projects is to interview unique people. The EF-S 17-55mm by Canon is the best lens for DSLR filmmaking, It has a large aperture of f/2.8 that produces a shallow depth-of-field and creates a bokeh that keeps the attention towards the subject. Large-aperture G lenses combine a number of advances to deliver exceptional performance. This makes it ideal for many kinds of photography, especially landscapes and portraiture. Lens breathing is mitigated by internal focusing. There are plenty or lenses out there that you can add to your arsenal to make your video work look great. While there are many lenses out there, a lot of them are still designed for still photography, especially lower end kit lenses. STM stepping motor for fast and quiet focusing. Since it has a maximum wider aperture and fewer lens elements, this lens can also gather and pass through more light. CareersContact UsCompany InfoVoluntary Recall, SEL TERMS AND CONDITIONSSEL PRIVACY POLICYCA PRIVACY NOTICEDO NOT SELL MY PERSONAL INFORMATION. Choosing a particular lens an aesthetic decision, based on your needs as a filmmaker. Sony’s long history of innovation and experience in both video and still image capture is a wellspring of increasingly important advantages for visual creators. I mistakenly shot on the SD card only. Special glass, coatings and sophisticated manufacturing combine to give you truly professional, creative tools. You'll notice that I have considered all the critical points mentioned earlier. The EF-S 10-18mm f 4.5-5.6 Image Stabilizer delivers reliable, speedy and quiet wide-angle performance. The EF-S 10-18 mm f 4.5-5.6 IS STM lens provides an ultra-wide-angle of view in a compact and portable package, perfect for EOS cameras with an APS-C sensor. To get the full experience on Sony.com, please change your settings to allow JavaScript. α7R II with back-illuminated 35 mm full-frame sensor, α7S II E-mount camera with 35 mm full-frame sensor, Discover our truly versatile Super 35mm 4K camcorder, Super 35mm handheld camcorder with new color science and external RAW recording, Discover creative inspiration and filming tips with footages of variable categories, videographer interviews and video tutorials. I am on a budget and prior was interested in getting something like a 70-200mm as it would serve all the practical needs (professional/personal) in the future, but I am told a 50mm would be better for the videography project as it’s a wide shot? He is currently in production on his thesis documentary film for his M.A. Your email address will not be published. Many E-mount lenses also employ inner focus and inner zoom mechanisms that keep the physical length of the lens constant while focusing or zooming, for consistent balance and handling that contribute to easier, more stable operation in any shooting situation. So you will want to become friends with the cameral rental house, rent some lenses and then run a lot of tests. It looks like JavaScript is disabled in your browser. FLD glass with performance equal to fluorite. Optical construction is made by 10 Glass Elements In 7 Groups. Hi Sean, Internal focusing and zooming allow for more usability and functionality. Provides very professional shots with great details. It is compatible with EOS 30D, EOS 20D, EOS Digital Rebel XT, and EOS Digital Rebel SLRs. The closest focusing distance is 1.15 feet. It offers full-frame coverage. Shoot your best in any setting, from 24fps film-like frame rate to wide-ranging depth of field, with an unbeatable choice of interchangeable lenses, in extra-sharp 4K or HD format.