The two actors Emmanuel Clot and G. Dublay succeeded him. Gathered in the same organisation, these local theatres (Gobelins, Grenelle, Ternes, Montrouge, Bouffes du Nord, etc.) 1929 to 1935 - Paul Le Danois and Charles Malincourt took over as directors after Henry Darcet was appointed at La Scala. As if to give it more nobility, the name of the theatre was changed to « Théâtre Molière » and authors like Henry Kistemaeckers, Georges Darien and Gaston Leroux were called on. Hope was back…. In 2010, Olivier Mantei and Olivier Poubelle took over the management of the theatre and still carry on a tradition of a place of creation. At times they got so involved in the events played out on stage, that the police had to throw them out of the hall. The theatre was renamed the Théâtre Molière and authors such as Arthur Bernède and Gaston Leroux were assembled to write plays for the newly named theatre. [6], International Centre for Theatre Research, http://www.theartsdesk.com/opera/magic-flute-cictth%C3%A9%C3%A2tre-des-bouffes-du-nord-barbican-theatre, "Peter Brook to hand over Paris's Bouffes du Nord theatre", "Peter Brook says a long goodbye to his Paris theatre", https://en.wikipedia.org/w/index.php?title=Théâtre_des_Bouffes_du_Nord&oldid=965789561, Theatres in the 10th arrondissement of Paris, Articles with French-language sources (fr), Infobox mapframe without OSM relation ID on Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 3 July 2020, at 12:35. September 1969 - Narcisse Zecchinel, an Italian building contractor, bought the theatre and saved it from demolition. Salle historique parisienne, lieu de culture singulier, musique, théâtre et opéra se marient au Théâtre des Bouffes du Nord. Founded in 1876,[2] it had an erratic existence and seemed that it would never get off the ground. 1 Toneel The Prisoner - Théâtre des Bouffes Du Nord, Peter Brook & Marie-Hélène Estienne 19 maart 2018 ‘The Prisoner’, de meest recente voorstelling die Peter Brook bij zijn Théâtre Des Bouffes Du Nord maakte, staat vanaf woensdag in de Stadsschouwburg Amsterdam tijdens Brandhaarden 2018 In 2008, Brook announced that he would slowly hand the reins over to Olivier Mantei, the deputy head of the Paris opera company Opéra-Comique and head of the musical programming at the Bouffes du Nord, and Olivier Poubelle, a theatre entrepreneur specialising in modern music. He has staged many plays, mostly by Shakespeare for the Royal Shakespeare Company, such as Love Labour’s Lost (1946), Measure for Measure (1950), Titus Andronicus (1955), King Lear (1962), Marat/Sade (1964), A Midsummer Night’s Dream (1970) and Antony and Cleopatra (1978). Salle historique parisienne, lieu de culture singulier, musique, théâtre et opéra se marient au Théâtre des Bouffes du Nord. 1876 - Designed for the Café-concert repertoire, the Bouffes du Nord Theatre, commissioned by M. Chéret to the architect Louis-Marie Emile Leménil, was built on the foundations of barracks supposedly left unfinished. These two aspects make a whole. As a legendary venue where the walls patina witnesses the memory of exceptional events the Theatre des Bouffes du Nord hosts actors and musicians from all over the world since its early days. Thanks to financial support from the Festival d'Automne directed by Michel Guy, they had it restored with remarkable intelligence and taste. Peter Brook was born in London in 1925. In its first decade it had fifteen different artistic directors, the most notorious being Olga Léaud who fled the theatre after her production had failed, taking the contents of the theatre safe with her. [3] Although the theatre was renovated,[4] it was not redecorated. This year Yvette Guilbert made her debut in Alexandre Dumas’ The Queen Margot. But I believe that one can only live by passionately and absolutely adhering to one viewpoint. Salle historique parisienne et lieu de culture singulier, théâtre, musique et opéra se marient au Théâtre des Bouffes du Nord.